Alak wrote:[I understand where you're coming from, but that mindset is no longer applicable to the new Transformers movies. As I said before, I will always give props to Michael Bay for taking the first attempt at a live-action Transformers movie. I enjoyed 2/3 of the movies even though I recognize that they're bad from a technical standpoint. The whole "risk" argument works... if we're having this discussion in 2007. The problem here is that this is 2012. We've already had a live-action trilogy. We already know how the CGI process works. We already know that if you put transforming robots
on screen, people will flock to the movies and Paramount will make money.
I'm sorry, but no, you
don't know that. TF4
could be a box office flop, though with Bay directing again I'd argue they're minimizing the likelihood of that. You're taking your personal experience and conversations with people regarding this movie and extrapolating it to the general public and the movie itself-- it's inherent even in the language you use-- they "recognize" how bad it is, as opposed to they
think it's bad, etc.
Meanwhile, my personal experience with people is that nearly every one I know personally-- and I don't know many Transfans IRL, trust me-- loves the Transformers movies. I can think of....three people I know well IRL that don't like them. Compared with dozens who do. Granted, I'm not saying the Transformers movies positive numbers are THAT high, because again, personal experience. And actually, some people I know like the Transformers movies
in spite of, not
because of, the big ol' robots. I would say from my personal experience, about half of the people I know go to see the movies
because of the human cast. They like Shia, they like Josh Duhamel, they like the hot chick. Heck, I know one guy who watched the first two
because Megan Fox was in them. Fox was not in DotM, so
he didn't watch it. My stepbrother loves some of the human characters to the point where he wants the movies to continue past DotM just so he can see more of Agent Simmons and his "sidekick" Dutch. Wasn't fond of the action sequences, really personally tired of CGI, wasn't fond of the plot. But would "put up" with all of it over and over again to see the "fantastic, engaging" human characters again. Even though we have the same general interests, his favorite parts of DotM tended to be my least favorite and visa versa.
Now, reflective of the general community? Who knows. I would venture a bit more reflective than your personal experience simply because of box office receipts, but I don't know. But I still stand by my argument that the path right now of the least change possible is the wise one. Now, if box office receipts start to slide a pretty good amount, I could see switching it up then, and that perhaps your experience is more indicative of the general audience, but not before then.
Transformers
Critics who liked it: 57%
Audiences who liked it: 89%
Revenge of the Fallen
Critics who liked it: 26%
Audiences who liked it: 76%
Dark of the Moon
Critics who liked it: 35%
Audiences who liked it: 67%
Don't take this the wrong way, but where did you get those numbers? I'm not doubting
you, but perhaps your source. Up until this point I had heard that favorables (among the general audience, not critics) were quite high across all three movies. (Not to mention you'd think that, if audiences started souring on the TFs with RotF, you'd think DotM would have lower returns, but it didn't, it blew the others right out of the water in terms of money made.)
Seriously though, franchises that are financially successful (but suck) that are rebooted with better directors have been proven to generate at least as much money while receiving better critical acclaim.
Franchises have also been re-booted (or revisited again) and done worse (like the Star Wars prequels-- though they certainly still did well, they didn't measure up to the phenomenon that were Episodes 4 through 6-- and those were even with the same director!) We don't know which category Transformers would fall into. Again, Bay
may just be the director who hits that sweet spot with getting things on in time for the Hasbro execs, as well as the experience car filming, and the humor, the robots, the cast, the girls, etc. that the movie has enough of a bit of everything to draw in a very wide audience. Somebody else takes the reins and it could focus too much on one core audience, making THAT audience like it more, but getting less revenue overall.